![]() ![]() Applause should go to Jeff Bridges, who does the best he can with his ability to be anybody in a film constructed around a performer who finally can only be herself. And as a director she concentrates on pleasing her fans by placing herself in archetypal revenge situations, including giving the boot to a guy she thought she wanted when he finally comes around, and, in the scene the film was constructed around, finally presenting herself out of the chrysalis, looking more glamorous than all the other women in the cast combined.Īside from this, “The Mirror Has Two Faces” is more stodgy than frothy, weighted down by several dramatic speeches about what’s important in life that feel tacked on. #The mirror has two faces how to#But Hollywood wouldn’t be Hollywood if it didn’t insist that complicating thoughts of sex find a way to force themselves back into the equation.Īs an actor Streisand proves again that she’s an experienced farceur who knows how to handle her laugh lines. Though her thoughts are not as pure as Gregory wants to believe, a friendship-based relationship, equal parts snowball fights and discussions of the Twin Primes Conjecture, works well enough for awhile. ![]() Looking for a platonic coupling that will enable him to forget about the demons of the flesh, the professor thinks he’s found a kindred soul when he investigates Rose by sitting in on one of her classes and hears her speak fondly of the traditions of courtly love: “They took sex out of the relationship. Even though the script continues to treat her like she’s a doormat, Streisand’s Rose, as photographed by Dante Spinotti and his replacement Andrzej Bartkowiak, never looks less than the accomplished and attractive woman she is. ![]() And when she goes to the wedding of glamorous sister Claire (Mimi Rogers) to handsome Alex (Pierce Brosnan), she wears an outfit that is strictly thrift shop.īut a classroom scene that explodes with the intensity of mass student worship announces the end of that experiment. Columbia University professor Rose Morgan is introduced wearing an unflattering facial mask, and in short order has to cope with her madcap meddling mother (Lauren Bacall) and a whiny and persistent suitor (Austin Pendleton). In fairness, Streisand tries to be bedraggled for a bit. It’s a time-tested concept that is sandbagged by Streisand’s refusal to play it more like an actress and less like a star. ![]() His increasing infatuation with the vulnerable and responsive Colette gives rise to Chester's jealousy and paranoia, leading to a tense and dangerous battle of wits between the two men.Written by Richard LaGravenese and based loosely on a 1959 French film with the same name, “Mirror” is a romantic comedy that looks to be about a frumpy duckling who doesn’t know she’s beautiful enough to be a potential swan. In the moment, Rydal agrees but as events take a more sinister turn he finds himself compromised and unable to pull himself free. When Rydal visits the couple at their exclusive hotel, Chester presses him to help move the body of a seemingly unconscious man who he claims attacked him. However, all is not as it seems with the MacFarlands and Chester's affable exterior hides darker secrets. Drawn to Colette's beauty and impressed by Chester's wealth and sophistication, Rydal gladly accepts their invitation to dinner. While sightseeing at the Acropolis they encounter Rydal (Isaac), a young, Greek-speaking American who is working as a tour guide, scamming tourists on the side. A glamorous American couple, the charismatic Chester MacFarland (Mortensen) and his alluring younger wife Colette (Dunst), arrive in Athens by boat via the Corinth Canal. ![]()
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